About technique books — different approaches
Even when we speak of "books on how to draw," the content changes from one title to another. There are books that gather ready-to-use techniques, books that deal with the way of thinking before drawing, books that collect artwork while also explaining the drawing process, and books focused on a single theme. Since the cover makes those differences hard to tell apart, here we present each book grouped according to the kind of approach it takes.
Mindset and methods for improving
Books that deal less with technique itself and more with how to approach the work. There are several titles by the illustrator Naoki Saito. Chito-waza! E ga jōzu ni naru hon gathers, from among the techniques the author published in video, the easiest to apply. Irasuto Saisoku Jōtatsu-hō collects the three-month improvement method the author himself followed when changing his style. Umaku Kaku no Kinshi is not about technique, but about the attitude toward the work, how to keep one's motivation and one's relationship with social media. It is the same author, but the content is divided among technique, method and attitude.
The creative process
Books structured following the order of the process: the drawing of the line, the color, the background and the finish. E no Benkyō Otasuke Note, by Kōki Ikegami, gathers together sections such as line, color, landscape, character drawing and the differentiation of textures.
Compilations of artwork and technique
Books that bring together in a single volume a collection of artwork and the explanation of the drawing process. Sakuhinshū & Perspective Tettei Technique, by Seiji Yoshida, collects his scenery illustrations and, in the second half, explains the technique of perspective. FRAME, by lack, adds to an art book a making-of high-speed drawing; the print edition includes a DVD-ROM.
Books focused on a theme
Books focused on a single theme or a specific approach. Pasu to Okuyuki Master Guide is a translation that deals with the theory and practice of perspective and depth by foreign artists (more than 300 pages). Haikei no Kakikata, by Sato Takahara, focuses on backgrounds and covers everything from the basics to the practical. Kokoro Odoru Wa no Gensō Sekai no Egakikata, by Shie Nanahara and others, focuses on Japanese-style fantasy and explains, through making-of sections, how to build that world. Mieru Mono o Egakazu, Mienai Mono o Egaku, by Mateusz Urbanowicz, is not a technique book but a collection of essays on his way of thinking as an artist.
Choosing according to your goal
All the books in this category are original Japanese editions. If what you want is to add some technique, rethink a method for improving, learn by looking at artwork, or go deeper into a specific point such as perspective or backgrounds, the book worth picking up changes from case to case. May the difference that is hard to see from the title alone serve as your guide when choosing.